Since then, she has amassed a quirky, populist body of work that spans classical ballet, modern dance, Broadway musicals and work on film. It was 48 years ago when choreographer Twyla Tharp premiered her first ballet at City Center. For those who binged HBO’s vacationer satire The White Lotus, this innovative opera might be the escape you need.

Created by composer Lina Lapelytė, librettist Vaiva Grainytė, and director/designer Rugilė Barzdžiukaitė, this environmental spectacle uses 25 tons of sand and a couple dozen local volunteers to create the illusion of a beach where swimmers and sunbathers reflect (operatically) on their lives and the precarious state of the planet. The weather is turning cooler, but BAM invites you to lounge on the beach under a hot sun.

Acclaimed baritone Will Liverman plays the character based on Blow. A coming-of-age tale that touches on race, class, and sexuality, this promises to be an epic music-drama for our times. Blow’s memoir about growing up poor and frustrated in Louisiana. Grammy Award–winning jazz musician and composer Terence Blanchard, with librettist Kasi Lemmons, has adapted New York Times columnist Charles M. It’s both a landmark and shamefully overdue, but still, let’s celebrate. The first Black composer has a premiere at the 138-year-old Met.

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